What do we mean when we say that Bernie would
have won? We mean that when the news laments
the politicization of capital collecting rents
on common properties and public goods,
while clutching pearls over punching guys in hoods,
though simultaneously dragging our senescent
fast-food addicted moron president
for some absurd point of decorum he’s stood
on its stupid head, what remains in West
Virginia are towns where everyone is dying
from the planned catastrophe of economic
disinvestment: franchised, but dispossessed,
they know it’s politics; he isn’t lying;
un-ratfucked, he would’ve beat the insult comic.
This is the future that liberals want: a cool
return to norms after the tan excrescence
is excised. Peace? Well, purity of essence.
Articulate. Harvard Law or a comparable school.
Personally dedicated to the rule
of law. A paragon. A recrudescence
in an empire seemingly sunk in convalescence.
Judicious. Stylish. Not a raving fool.
Across an ocean in a dusty town a boy
who’s barely past a cracking voice is set
to marry a girl he’s only recently met.
He vacillates from morbid fear to joy.
He’s droned and bleeds to death at evening prayer.
The liberal president pretends to care.
My means for critical evaluation
all center on the fable of a little wooden toy
whose earnest desire to become an actual boy
mimics my own self-serious adulation
for a truth as narrow as a lawyer’s accusation,
all causes shorn of context, which I then deploy
to accuse Achilles without Helen of Troy,
Ulysses’s fandi fictor reputation
divorced from his desire for his wife.
Truth is never beautiful; it lies
on a vast ocean like a raft of floating turds,
a shifting host for dull, bacterial life,
an effluence of human compromise:
the foul excreta of silly nerds.
You can’t visit Paris anymore.
There are no tourists in churches; only priests.
The Bois de Boulogne’s full of wild beasts.
They’ve shuttered the Louvre and closed department stores.
The Porte de Clignancourt has lost its whores.
Boulangeries use dried, pre-packaged yeast.
They’ve burned the last copies of A Moveable Feast,
drawn the shutters and locked the courtyard doors.
A bateau mouche without a captain’s run
aground against the Île de la cité;
the willows in the Square du Vert-Galant all weep
with joy to see an unencumbered Seine
now swell with fish and swans. Each Paris-gray
morning quiet and slow as a dreamless sleep.
The leaks are real. The news is fake. The sky
is blue. Love always lasts. The dead return
to life at night. The fire will not burn
the true believer’s flesh. The pig can fly.
Use whiskey when a teething baby cries.
No matter what good wages workers earn
they can no longer save enough; they yearn
only for the slightest ease, which we deny
them, spouting instead our stupid incantations:
be enterprising; learn new skills; a man
no longer works to live, he loves his work
and works unto his soul’s attenuation;
pays tax to keep the drones in distant lands;
becomes, faute de mieux, at last, a jerk.
When he is thirty, Caesar comes upon
a bust of Alexander Magnus and
laments his rather lacking personal brand;
Alexander’d conquered Babylon,
while Caesar suffers Clodius’ carrying on
in a bad frock, soon revealed as a man.
He calls his aides. Please help me understand
how some horse-loving twink in chaps had gone
by now from Greece to India and back,
built self-named cities, fought with elephants,
stymied at last by the sheer immeasurable size
of the globed earth and encircling sea, you hacks.
Torment was the thought of irrelevance:
unmade by age, conquestless, Caesar dies.
I call my own shots, largely based
on the pigeons that my priests release, observed
through a single narrow window as they turn and swerve.
The world we think is ours is interlaced
with the realer world of the bored, immortal race
of gods, who’ve little else to do but serve
each other fruit, and get on each other’s nerves.
Yet their gestures do create all time and space.
Why the bird thing works, we cannot know,
though I am assured it can inerrantly
predict a harvest’s weight or revenues
from tax, a war’s conclusion, how much snow
will clog a pass. All popularity
depends upon the augurs that you use.
The past as precedent is overrated.
Even its angel gazing back across
the racked, wrecked pile of death and loss
can never turn to see what it’s created
now. The present is the wreck, abated
briefly; the past, a stone, but we are moss
fuzzing the surface, a broken pebble tossed
into a sea. A story often related
about the same sea is that a king
stood at its edge and ordered the tide to cease.
We’re told the moral has to do with pride.
In fact, Canute was warning: worshipping
a man’s short power and swiftly expiring lease
blasphemed. The waves went on. He ruled and died.
Blame millennials for the missing bar of soap.
But blame their parents for the rest of it:
the postwar settlement they turned to shit;
the rising seas; the flattening and declining slope
of income growth; the OD rate for dope;
George Bush invading Baghdad in a snit;
“prestige” TV; Armstrong’s hematocrit;
Fox News, CNN, the man from Hope.
Even the awful form of this complaint
is accidentally due to Billy Joel,
another boomer bastard: they’ve destroyed
the world in increments, but now they faint
at the minor foibles of the kids today, a whole
generation dad left unemployed.
His moral arguments are all consumer
choices he’s deliberately confused
with ethical dilemmas; he has used
the self-superior lifestyle choices of the boomer
generation, lame attempted humor,
and made-up anecdotes to disabuse
you of a non-position he’s infused
with the acute import of mortality, a tumor
grown suddenly huge, malignant, pressing on
the brain: it must be excised lest we find
the psychosoma is the journalist
projecting. Hey, dude. Get off my lawn.
The world’s an abattoir. Each day’s a grind.
Your job is not the reason we exist.